FEMINIST ART PROGRAMME
Since 2007, Riflemaker has run a Feminist Art programme alongside our ongoing Emerging Artists programme; organising and curating major exhibitions by PENELOPE SLINGER, JUDY CHICAGO and LILIANE LIJN - works from the 1960’s and 1970’s - who have featured in exhibitions at LACMA LA, the POMPIDOU CENTER, Paris, TATE MODERN, London, TATE BRITAIN, London, the HAYWARD GALLERY, London and are also in the just-opened FEMINIST AVANT-GARDE 1970’s at The PHOTOGRAPHER’S GALLERY, London: click on this link Riflemaker is currently showing photo-collages by PENELOPE SLINGER from the 1970’s below: PENELOPE SLINGER: from 'AN EXORCISM' (1974-1977)
The current exhibition Riflemaker of JUDY CHICAGO works 'before and after The Dinner Party' continues through November at Riflemaker
To view the works available for sale in the exhibition
please open the pdf of available works here.
To view the works available for sale in the exhibition
please open the pdf of available works here.
JUDY CHICAGO
'Bigamy Hood' (1965/2011)
sprayed automotive lacquer on carhood
42 9/10 x 42 9/10 x 4 3/10 in. (109.2 x 109.2 x 10.8 cm)
JUDY CHICAGO
'Ethel Smyth Test-Plate' #3 from 'The Dinner Party' (1973-1974)
china paint on porcelain,
4 x 12 x 14 in. (10.2 x 30.5 x 35.6 cm)
bespoke perspex mount and case
JUDY CHICAGO
'Hatshepsut Test-Plate' #3 from 'The Dinner Party' (1975-1978)
china paint on porcelain,
13.75 in diameter x 1.25 in depth (35 x 3.2 cm)
bespoke perspex mount and case
JUDY CHICAGO at The Brooklyn Museum
New York
continues until 28 September 2014
New York
continues until 28 September 2014
JUDY CHICAGO
solo presentation announced
Frieze Masters
Riflemaker stand S9
view the available works here
"For me, she is America's most important living artist"
Edward Lucie-Smith, Huffington Post, November 2012
view the press release here
solo presentation announced
Frieze Masters
Riflemaker stand S9
view the available works here
"For me, she is America's most important living artist"
Edward Lucie-Smith, Huffington Post, November 2012
view the press release here
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JUDY CHICAGO ON C*NT |
JUDY CHICAGO at FRIEZE MASTERS |
JUDY CHICAGO ON FEMINIST ART |
photograph from the first Feminist Studio Workshop brochure (1973)
photographer unknown (concept by Sheila Levrant de Bretteville)
part of Woman's Building Image Archive at Otis College of Art and Design
© The Woman’s Building
photographer unknown (concept by Sheila Levrant de Bretteville)
part of Woman's Building Image Archive at Otis College of Art and Design
© The Woman’s Building
click here to view the works in the exhibition
"For me, she is America's most important living artist"
Edward Lucie-Smith, quoted in The Huffington Post, November 2012
"For me, she is America's most important living artist"
Edward Lucie-Smith, quoted in The Huffington Post, November 2012
Click to download JUDY CHICAGO press release
Curators or writers seeking hi-res images please call
Alice Broughton at Theresa Simon Communications 0207-734-4800
Direct link for Judy Chicago images
http://theresasimon.com/press/detail.php?id=19148
Above is the direct links for press to access images:
Users need to fill in their contact details to access the folders.
To download the images, double click on each thumbnail to open the full size version and right click to 'Save As'
BIOGRAPHY
Judy Chicago is an artist, writer and activist whose work has set the agenda for women's art over the past five decades. A pioneering force who came to prominence during the late 1960's and early 1970's, she helped re-shape the male-dominated art landscape by creating innovative work from a woman's perspective - reacting to social and political injustice during revolutionary times.
Her art and her ideas continue to exert a palpable influence on generations of women artists who came after her. In 2011, her contribution was recognised and in some ways rediscovered during Pacific Standard Time, the California-wide celebration of the history of the L.A. Art Scene which saw sixty cultural institutions collaborate in one six-month long initiative (pacificstandardtime.org/) and featured work across various media by Judy Chicago. The artist is widely represented in museums and public collections worldwide.
JUDY CHICAGO: 'Before Womanhouse: Ms Chicago and the California Boys'
by Andrew Perchuk, deputy director, Getty Research Institute, Los Angeles
click to read the essay
Mary Wollstonecraft, gridded runner drawing from The Dinner Party
(1975-1978) ink on vellum, 56" x 30"
Photograph © Donald Woodman
(1975-1978) ink on vellum, 56" x 30"
Photograph © Donald Woodman
Birth Hood (1965 - 2011)
sprayed acrylic on Corvair car hood, 42.9" x 42.9" x 4.3"
Photograph © Donald Woodman
sprayed acrylic on Corvair car hood, 42.9" x 42.9" x 4.3"
Photograph © Donald Woodman
Judy Chicago
cover of the exhibition catalogue Womanhouse
(showing Judy Chicago and Miriam Schapiro).
Design by Sheila de Bretteville.
(Valencia: Feminist Art Program, California Institute of the Arts, 1972).
photo © Donald Woodman, courtesy of Through the Flower archive
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JUDY CHICAGO: Hotel Le Crayon, Paris 1972
JUDY CHICAGO: 'Plates and Ceramics from The Dinner Party'
with new photography
from China by GRAHAM FINK on the ground floor 'BALLADS of SHANGHAI'
and paintings by WEN WU, MARTA MARCE and JOSEPHINE KING in our VIEWING-ROOM
The JUDY CHICAGO exhibition includes:
Historic drawings, gouaches, sculptures and ceramics from the 1960's and 1970's which relate to the carhood sculptures by JUDY CHICAGO at Tate Modern in their just-opened exhibition 'THE WORLD GOES POP'.
Please open the pdf of available works here
The works at Riflemaker in Beak Street include test-plates and ceramic goddesses from The Dinner Party (1979)
along with drawings for the accompanying textiles and runners.
The exhibition is open from 11am - 7pm Monday to Friday and 12-6pm on Saturday.
for sales enquiries 07794-629-188 or 07719-745-766
for hi-res press images or other enquires please call 07794-629-188
Riflemaker 0207-439-0000
from China by GRAHAM FINK on the ground floor 'BALLADS of SHANGHAI'
and paintings by WEN WU, MARTA MARCE and JOSEPHINE KING in our VIEWING-ROOM
The JUDY CHICAGO exhibition includes:
Historic drawings, gouaches, sculptures and ceramics from the 1960's and 1970's which relate to the carhood sculptures by JUDY CHICAGO at Tate Modern in their just-opened exhibition 'THE WORLD GOES POP'.
Please open the pdf of available works here
The works at Riflemaker in Beak Street include test-plates and ceramic goddesses from The Dinner Party (1979)
along with drawings for the accompanying textiles and runners.
The exhibition is open from 11am - 7pm Monday to Friday and 12-6pm on Saturday.
for sales enquiries 07794-629-188 or 07719-745-766
for hi-res press images or other enquires please call 07794-629-188
Riflemaker 0207-439-0000
JUDY CHICAGO: to speak to the gallery on sales or on press information please call: 07794-629-188 or 07719-745-766
BIOGRAPHY
Judy Chicago is an artist, writer and activist whose work has set the agenda for women's art over the past five decades. A pioneering force who came to prominence during the late 1960's and early 1970's, she helped re-shape the male-dominated art landscape by creating innovative work from a woman's perspective - reacting to social and political injustice during revolutionary times.
Her art and her ideas continue to exert a palpable influence on generations of women artists who came after her. In 2011, her contribution was recognised and in some ways rediscovered during Pacific Standard Time, the California-wide celebration of the history of the L.A. Art Scene which saw sixty cultural institutions collaborate in one six-month long initiative (pacificstandardtime.org/) and featured work across various media by Judy Chicago. The artist is widely represented in museums and public collections worldwide.
JUDY CHICAGO: 'Before Womanhouse: Ms Chicago and the California Boys'
by Andrew Perchuk, deputy director, Getty Research Institute, Los Angeles
BIOGRAPHY
Judy Chicago is an artist, writer and activist whose work has set the agenda for women's art over the past five decades. A pioneering force who came to prominence during the late 1960's and early 1970's, she helped re-shape the male-dominated art landscape by creating innovative work from a woman's perspective - reacting to social and political injustice during revolutionary times.
Her art and her ideas continue to exert a palpable influence on generations of women artists who came after her. In 2011, her contribution was recognised and in some ways rediscovered during Pacific Standard Time, the California-wide celebration of the history of the L.A. Art Scene which saw sixty cultural institutions collaborate in one six-month long initiative (pacificstandardtime.org/) and featured work across various media by Judy Chicago. The artist is widely represented in museums and public collections worldwide.
JUDY CHICAGO: 'Before Womanhouse: Ms Chicago and the California Boys'
by Andrew Perchuk, deputy director, Getty Research Institute, Los Angeles
The current exhibition also includes test-plates from 'The Dinner Party' (1974-1979)
JUDY CHICAGO
'Theodora' Test-Plate #7 from 'The Dinner Party' (1975-1978)
china paint on porcelain,
14 in diameter x 1.5 in. depth (35.6 x 3.2 cm)
bespoke perspex mount and case
JUDY CHICAGO
'Hatshepsut Test-Plate' #3 from 'The Dinner Party' (1975-1978)
china paint on porcelain,
13.75 in diameter x 1.25 in depth (35 x 3.2 cm)
bespoke perspex mount and case
JUDY CHICAGO
'Ethel Smyth Test-Plate' #3 from 'The Dinner Party' (1973-1974)
china paint on porcelain,
4 x 12 x 14 in. (10.2 x 30.5 x 35.6 cm)
bespoke perspex mount and case
The carhood sculptures are currently being exhibited at Tate Modern in 'The World Goes Pop'
JUDY CHICAGO
'Birth Hood' (1965/2011)
sprayed automotive lacquer on carhood
42 9/10 x 42 9/10 x 4 3/10 in. (109.2 x 109.2 x 10.8 cm)
JUDY CHICAGO
'Flight Hood' (1965/2011)
sprayed automotive lacquer on carhood
42 9/10 x 42 9/10 x 4 3/10 in (109.2 x 109.2 x 10.8 cm)
JUDY CHICAGO
'Bigamy Hood' (1965/2011)
sprayed automotive lacquer on carhood
42 9/10 x 42 9/10 x 4 3/10 in. (109.2 x 109.2 x 10.8 cm)
all photographs copyright Donald Woodman
